Genre · Jazz
Jazz. Follow the musicians.
270 editions, 490 musicians – and 245 of the editions are linked through their musicians. John Coltrane can be heard on 33 of them, Ray Brown on 27, Paul Chambers on 25. Their paths run across Prestige, Verve, Impulse, Pablo and Contemporary.
Enter the jazz webAll editions ↓Tap a portrait and follow that musician from record to record.
Portraits: illustrations01 / The jazz web
Who played with whom?
The line-ups come from our product texts. Pick a musician: you see all of their editions at Michael 45 – and who is credited on the same records. Click a name and keep going.
Who connects two musicians?
The most connected musicians
Who is credited on the most of our jazz editions.
02 / By series
Every series has its own page
Many of our jazz records belong to a series. There we tell their story in full.
03 / All editions
The complete jazz catalogue
Prices and availability come live from the shop.

Impulse
Journey In Satchidananda
Alice Coltrane
Have a listen “Shiva-Loka” – a more urgent pulse, its theme rising from the repeated rhythmic ground.

Contemporary RecordsAAA
West Side Story
André Previn And His Pals, Shelly Manne & Red Mitchell
Have a listen “America” – its alternating metre; Red Mitchell’s bass and Shelly Manne’s drums make the changes feel physical.

Prestige
Ballads By Cobb (Stereo)
Arnett Cobb
With , ,
Have a listen “Willow Weep for Me” – generous space around Cobb’s opening statement; bent notes and changes of breath shape the story.

Prestige
Party Time (Stereo)
Arnett Cobb
With , , ,
Have a listen “Slow Poke” – how effective Cobb can be at a more measured pace.

Contemporary RecordsAAA
+11
Art Pepper
With , , ,
Have a listen “Move” – a compact theme at a brisk tempo; Pepper cuts through the ensemble without needing to overpower it.

Analogue Productions · 45 RPMAAA
Art Pepper – Meets The Rhythm Section (45 RPM 200 Gram Double LP on Clarity Vinyl)
Art Pepper
With , ,
Have a listen “Red Pepper Blues” – credited to Pepper and Garland.

Contemporary RecordsAAA
Gettin' Together!
Art Pepper
With , , ,
Have a listen “Bijou The Poodle” – Art Pepper’s own piece, named after his dog; Conte Candoli plays trumpet.

Contemporary RecordsAAA
Intensity
Art Pepper
With , ,
Have a listen “Come Rain Or Come Shine” – written by Harold Arlen and Johnny Mercer for a 1946 musical.

Contemporary RecordsAAA
Meets The Rhythm Section (Stereo Version)
Art Pepper
Have a listen “You’d Be So Nice to Come Home To” – begins with Pepper’s clear alto statement before the quartet opens the tune into flowing improvisation.

Contemporary RecordsAAA
Smack Up
Art Pepper
Have a listen “How Can You Lose” – Pepper’s improvising grows from the melody; its line stays present even as the harmony opens.

Pablo
The Tatum Group Masterpieces
Art Tatum and Ben Webster
With ,
Have a listen “Gone With The Wind” – the Pablo version begins with it – the original Verve album opened with “All The Things You Are”.

PrestigeAAA
Taylor's Wailers (Mono)
Art Taylor
With , , ,
Have a listen “Batland” – a Lee Sears composition; opens side one with almost ten minutes.

Contemporary RecordsAAA
The Poll Winners
Barney Kessel, Ray Brown, and Shelly Manne
Have a listen “Satin Doll” – Kessel’s chords and Ray Brown’s sure walking line renew an Ellington tune without excessive decoration.

Contemporary RecordsAAA
At The Renaissance
Ben Webster
With , , ,
Have a listen “Georgia on My Mind” – opens the album; like “Stardust” at the close, it leads back to Hoagy Carmichael.




Impulse
See You at the Fair
Ben Webster
With , , ,
Have a listen “In A Mellow Tone” – leads to Duke Ellington, whose orchestra was an important part of Webster’s career.

Verve
Soulville
Ben Webster Quintet
With , , ,
Have a listen “Soulville” – Webster’s own piece opens side one – one of just two of his compositions beside five standards.

Contemporary RecordsAAA
Jazz Giant
Benny Carter
Have a listen “A Walkin’ Thing” – Benny Carter’s own piece, with a forward-moving theme that draws the horns into easy conversation.

Pablo
Carter, Gillespie, Inc.
Benny Carter & Dizzy Gillespie
Have a listen “A Night in Tunisia” – Gillespie wrote it in 1942 while playing in Benny Carter’s band.

Pablo
Benny Carter Meets Oscar Peterson
Benny Carter & Oscar Peterson
With , ,
Have a listen “Some Kind of Blues” – after six standards – written jointly by Carter and Peterson.

Prestige
Groovin' with Golson (Stereo)
Benny Golson
Have a listen “The Stroller” – precisely the relaxed confidence its title suggests.



Verve
At Town Hall Vol. 1
Bill Evans
Have a listen “Turn Out the Stars” – the first recording of this Evans piece, heard inside his personal suite.





Verve
Trio '64
Bill Evans
With , , ,
Have a listen “Little Lulu” – an unexpected popular melody in which Bill Evans discovers graceful momentum.

Verve
Trio '65
Bill Evans
With , , ,
Have a listen “Israel” – John Carisi’s angular theme, which the trio lets breathe through flexible time.





Analogue Productions · 45 RPM
Bill Evans Trio's Sunday At The Village Vanguard UHQR
Bill Evans Trio's Sunday At The Village Vanguard UHQR
With , ,
Have a listen “All of You” – Cole Porter’s song – one of the selections drawn from different sets of that Sunday.

Analogue Productions · 45 RPM
Bill Evans Trio's Waltz For Debby UHQR
Bill Evans Trio's Waltz For Debby UHQR
With , ,
Have a listen “My Romance” – Evans had recorded it as a solo on his debut – here it becomes material for collective playing.


Verve
Body And Soul (Mono)
Billie Holiday
With , , ,
Have a listen “They Can’t Take That Away From Me” – one of three Gershwin songs on the record.


Verve
Songs For Distingue Lovers
Billie Holiday
With , , ,
Have a listen “One for My Baby” – a late-night barroom scene, carried by Billie Holiday’s slight delays.

Atlantic 75 · 45 RPM
Spectrum
Billy Cobham
With , , ,
Have a listen “Taurian Matador” – Tommy Bolin’s high E string broke during his solo.


Prestige
Exultation! (Stereo)
Booker Ervin
With , , ,
Have a listen “Black and Blue” – emotional directness with long, developing phrases.

Prestige
The Freedom Book (Stereo)
Booker Ervin
With , ,
Have a listen “A Lunar Tune” – announces the album with a strong, angular theme.

Prestige
The Song Book (Stereo)
Booker Ervin
With , ,
Have a listen “The Lamp Is Low” – opens side one; the song draws on Ravel’s Pavane pour une infante défunte.




Atlantic 75 · 45 RPM
Blues & Roots
Charles Mingus
With , , ,
Have a listen “Moanin’” – has side B of this 45 RPM edition to itself.

Impulse
Mingus Mingus Mingus Mingus Mingus
Charles Mingus
Have a listen “II B.S.” – reworks material from “Haitian Fight Song”; the bass comes first, then the band enters in waves.


Atlantic 75 · 45 RPM
Oh Yeah
Charles Mingus
With , , ,
Have a listen “Devil Woman” – a secure starting point for hearing Mingus as a singer.

Atlantic 75 · 45 RPM
Pithecanthropus Erectus (Mono)
Charles Mingus
With , , ,
Have a listen “Profile Of Jackie” – a portrait of Jackie McLean, who was 24 at the time.

Impulse
The Black Saint And The Sinner Lady
Charles Mingus
With , , ,
Have a listen Side A from the start – Mingus conceived the album as one continuous suite; the opening sets up a tense, processional figure.

Atlantic 75 · 45 RPM
The Clown (Mono)
Charles Mingus
With , , ,
Have a listen “The Clown” – the title piece, with radio storyteller Jean Shepherd.





Pablo
Memories Of Duke
The Clark Terry Five
With , , ,
Have a listen “Everything But You” – according to the publisher, Clark Terry switches to flugelhorn here.

Pablo
The Alternate Blues
Clark Terry, Freddie Hubbard, Dizzy Gillespie Plus Oscar Peterson
Have a listen “Wrap Your Troubles in Dreams” – a standard in the programme that leads the trumpeters into a more lyrical exchange.

Verve
Coleman Hawkins and Confreres
Coleman Hawkins
With , , ,
Have a listen “Honey Flower” – almost nine minutes, written by Coleman Hawkins himself.

Verve
Coleman Hawkins Encounters Ben Webster
Coleman Hawkins
Have a listen “Blues for Yolande” – a relaxed blues theme that gives each tenor room without competition.

Pablo
88 Basie Street
Count Basie
With , , ,
Have a listen “Sunday At The Savoy” – Basie’s own piece, more than twelve minutes long, closing the record – with Joe Pass.

Pablo
Basie Jam
Count Basie
With , , ,
Have a listen “Doubling Blues” – according to the publisher, Basie plays organ here – a good way into following his keyboards on the record.

Pablo
Farmer's Market Barbecue
Count Basie
With , , ,
Have a listen “Blues For The Barbecue” – written by trumpeter Sonny Cohn; a little over ten minutes with room for several soloists.

Pablo
Me And You
Count Basie
With , , ,
Have a listen “Moten Swing” – reaches back to Bennie Moten and Kansas City, before Basie led his own orchestra.

Pablo
The Gifted Ones
Count Basie & Dizzy Gillespie
With ,
Have a listen “Back To The Land” – on side A, written jointly by Basie and Gillespie.

Pablo
The Bosses
Count Basie & Joe Turner
With , , ,
Have a listen “Roll ’Em Pete” – leads back to December 1938, when Turner recorded it with pianist Pete Johnson.

Pablo
For The Second Time
Count Basie & The Kansas City 3
With ,
Have a listen “Sandman” – listen to the bass as a melodic line in its own right – then again for Basie’s responses.

Pablo
'Satch' and 'Josh'
Count Basie & Oscar Peterson
With , ,
Have a listen “Jumpin’ at the Woodside” – reaches back into Basie’s band history.

Pablo
The Timekeepers
Count Basie & Oscar Peterson
With ,
Have a listen “Rent Party” – more than nine minutes, written jointly by Basie and Peterson.

Pablo
Kansas City
Count Basie 6
With , , ,
Have a listen “Wee Baby” – connects the session with the blues-singing tradition; written by Pete Johnson and Big Joe Turner.

Contemporary RecordsAAA
You Get More Bounce With Curtis Counce!
Curtis Counce
With , , ,
Have a listen “Big Foot” – the earliest recording on the record, from 8 October 1956 – with Jack Sheldon, Harold Land, Carl Perkins and Frank Butler.




Verve
All For You
Diana Krall
Have a listen “I’m an Errand Girl for Rhythm” – a playful opener with Diana Krall as both vocalist and pianist.


Verve
When I Look In Your Eyes
Diana Krall
With , , ,
Have a listen “Let’s Fall In Love” – with Larry Bunker on vibraphone.

Pablo
Dizzy Gillespie's Big 4
Dizzy Gillespie
With , ,
Have a listen “Tanga” – Gillespie’s own piece opens the LP – with Joe Pass, Ray Brown and Mickey Roker, September 1974 in Los Angeles.


Pablo
Duke's Big 4
Duke Ellington
Have a listen “The Hawk Talks” – Louie Bellson’s own piece; piano, guitar and bass lock around his accents.



Pablo
The Ellington Suites
Duke Ellington
With , , ,
Have a listen “The Queen’s Suite” – the whole of side one: six movements, recorded across several dates in 1959.

Impulse
Duke Ellington & John Coltrane
Duke Ellington & John Coltrane
Have a listen “In a Sentimental Mood” – begins with Ellington’s descending piano figure before Coltrane enters.


Pablo
This One's For Blanton
Duke Ellington & Ray Brown
Have a listen “Fragmented Suite For Piano And Bass” – fills the whole of side two – Ellington and Ray Brown as a duo.

Impulse
Duke Ellington Meets Coleman Hawkins
Duke Ellington and Coleman Hawkins
With , , ,
Have a listen “Self Portrait (of the Bean)” – an Ellington feature shaped around Hawkins’s famous nickname.


Prestige
The Tenor Scene (Stereo)
Eddie 'Lockjaw' Davis & Johnny Griffin Quintet
With , , ,
Have a listen “Straight, No Chaser” – Monk’s angular theme – each tenor bends the blues language toward his own personality.

Verve
Clap Hands, Here Comes Charlie!
Ella Fitzgerald
Have a listen “A Night in Tunisia” – a bebop theme that Ella turns into a vocal performance.

Verve
Ella Wishes You A Swinging Christmas
Ella Fitzgerald
Have a listen “Jingle Bells” – a brisk pace, and Ella’s diction stays effortless.

Pablo
Fine and Mellow
Ella Fitzgerald
With , , ,
Have a listen “Fine and Mellow” – the title song was written by Billie Holiday – Ella takes on a blues closely tied to another great singer.

Verve
Let No Man Write My Epitaph
Ella Fitzgerald
With
Have a listen “Black Coffee” – opens side one: just Ella’s voice and Paul Smith’s piano.

Pablo
Take Love Easy
Ella Fitzgerald
With
Have a listen “Lush Life” – Billy Strayhorn’s own song, on side one.

Pablo
Fitzgerald & Pass… Again
Ella Fitzgerald & Joe Pass
Have a listen “Solitude” – Ella had sung this song with guitar before – back then Barney Kessel played.

Pablo
Ella and Oscar
Ella Fitzgerald & Oscar Peterson
With
Have a listen “Midnight Sun” – here Ray Brown’s double bass joins – the duo becomes a trio.

Verve
Ella & Louis
Ella Fitzgerald and Louis Armstrong
Have a listen “Can’t We Be Friends?” – opens the album as a gently comic disagreement between the two.

Verve
Ella & Louis Again
Ella Fitzgerald and Louis Armstrong
Have a listen “Don’t Be That Way” – Ella shapes the melody, Armstrong answers in his gravelled voice.

PrestigeAAA
Informal Jazz (Mono)
Elmo Hope
Have a listen “Weejah” – Donald Byrd’s trumpet with the contrasting tenors of John Coltrane and Hank Mobley.

Prestige
At The Five Spot, Vol. 1 (Stereo)
Eric Dolphy
Have a listen “Fire Waltz” – begins with Mal Waldron’s memorable theme.

Prestige
Far Cry (Stereo)
Eric Dolphy
Have a listen “Left Alone” – how deeply Dolphy could inhabit a ballad.

Prestige
Out There (Stereo)
Eric Dolphy
With , ,
Have a listen “Eclipse” – by Charles Mingus – Dolphy’s bass clarinet in a dark, singing register.

Prestige
Outward Bound (Stereo)
Eric Dolphy
With , , ,
Have a listen “G.W.” – opens with a compact, angular theme.


Prestige
Boss Tenor (Stereo)
Gene Ammons
With , , ,
Have a listen “Close Your Eyes” – Ammons turns a standard into personal speech.

Prestige
Nice An' Cool (Stereo)
Gene Ammons
With , ,
Have a listen “Little Girl Blue” – vulnerability combined with the full physical breadth of the tenor.

Prestige
The Soulful Moods Of Gene Ammons (Stereo)
Gene Ammons
With , ,
Have a listen “Skylark” – Hoagy Carmichael’s long melody encourages an especially spacious approach.

Acoustic Sounds 40 · 45 RPM
Breezin'
George Benson
Have a listen “This Masquerade” – by Leon Russell – Benson’s vocal performance won Record of the Year.

Prestige
Jazz For The Carriage Trade (Mono)
George Wallington Quintet
With , , ,
Have a listen “Together We Wail” – written by Phil Woods – one of two pieces he contributed to another musician’s album.




Prestige
Gil Evans and Ten (Stereo)
Gil Evans
With , , ,
Have a listen “Ella Speed” – a folk-derived narrative in a jazz setting – direct and earthy.

Impulse
Out Of The Cool
The Gil Evans Orchestra
Have a listen “La Nevada” – grows across an extended span from a persistent rhythmic foundation.

Contemporary RecordsAAA
For Real!
Hampton Hawes
With , ,
Have a listen “Hip” – written by Hampton Hawes, the opener of side one.

Contemporary RecordsAAA
Four! With Barney Kessel, Shelly Manne & Red Mitchell
Hampton Hawes
Have a listen “There Will Never Be Another You” – swings with easy confidence; Red Mitchell’s walking bass carries the exchanges between the four.

PrestigeAAA
Mobley's 2nd Message (Mono)
Hank Mobley
With , , ,
Have a listen “Xlento” – one of Mobley’s characteristic originals, with a theme that invites close, melodic development.

PrestigeAAA
Mobley's Message (Mono Version)
Hank Mobley
With , , ,
Have a listen “Au Privave” – McLean’s alto joins the front line for Charlie Parker’s blues – sharper exchanges between three horns.

Contemporary RecordsAAA
The Fox
Harold Land
With , , ,
Have a listen “The Fox” – Harold Land’s title piece opens the record; Elmo Hope wrote four more.

Contemporary RecordsAAA
Songs I Like To Sing!
Helen Humes
With , , ,
Have a listen “Million Dollar Secret” – her own song, which had already been an R&B chart success for her in 1950.






VerveAAA
Maggie's Back In Town!
Howard McGhee
With , ,
Have a listen “Demon Chase” – Howard McGhee’s own opener; he told Nat Hentoff the title was inspired by the energy of Teddy Edwards’ young son.



Verve
Swing's The Thing (Mono Version)
Illinois Jacquet
With , , ,
Have a listen “Las Vegas Blues” – the opener, written by Roy Eldridge.


PrestigeAAA
4, 5, and 6
Jackie McLean
With , , ,
Have a listen “Sentimental Journey” – opens the album – a familiar song transformed into a setting for improvisation.

PrestigeAAA
Jackie's Pal (Mono)
Jackie McLean
With , , ,
Have a listen “Just for Marty” – one of two pieces contributed by the 23-year-old Bill Hardman.

PrestigeAAA
Lights Out! (Mono)
Jackie McLean
With , , ,
Have a listen “Lorraine” – written by Donald Byrd, with a more lyrical contour.

Prestige
Out Of The Forrest (Stereo)
Jimmy Forrest
With , ,
Have a listen “Bolo Blues” – a compact figure and an immediate sense of motion.

Verve
Bashin': The Unpredictable Jimmy Smith
Jimmy Smith
With , ,
Have a listen “Walk On The Wild Side” – the opener with Oliver Nelson’s big band; on side two Smith plays in a trio.

Verve
Organ Grinder Swing
Jimmy Smith
With ,
Have a listen “Oh No Babe” – Jimmy Smith’s own piece, over nine minutes long.


Verve
The Cat
Jimmy Smith
With , , ,
Have a listen “The Cat” – the title piece – Lalo Schifrin received the Grammy for Best Original Jazz Composition for it.


Pablo
Portraits Of Duke Ellington
Joe Pass
With ,
Have a listen “Solitude” – Joe Pass plays it entirely on his own, unaccompanied.

Pablo
Blues For 2
Joe Pass and Zoot Sims
Have a listen “Dindi” – introduces another melodic language – listen for when the guitar follows the saxophone’s breathing and when it introduces a thought of its own.

Impulse
'Live' At The Village Vanguard
John Coltrane
Have a listen “Chasin’ the Trane” – without piano altogether: just tenor, bass and drums.

Impulse
A Love Supreme
John Coltrane
With , ,
Have a listen “Acknowledgement” – grows from Jimmy Garrison’s four-note bass figure.

Analogue Productions · 45 RPM
A Love Supreme (45 RPM 200 Gram Clarity Vinyl)
John Coltrane
Have a listen “Acknowledgement” – Jimmy Garrison introduces the four-note cell that becomes the suite’s foundation.

Impulse
Ballads
John Coltrane
With , , ,
Have a listen “Say It (Over and Over Again)” – Coltrane gives the theme a warm, measured line while Tyner places luminous chords beneath it.

Analogue Productions · 45 RPM
Ballads UHQR
John Coltrane
With , , ,
Have a listen “It’s Easy to Remember” – recorded in December 1961 – Reggie Workman plays double bass here.

Prestige
Coltrane (Prestige) (Mono)
John Coltrane
Have a listen “Straight Street” – Coltrane’s own composition: a minor-key theme whose tension encourages long, searching lines.

Atlantic 75 · 45 RPM
Coltrane Jazz
John Coltrane
With , , ,
Have a listen “Like Sonny” – a salute to Sonny Rollins – named in the title.

Atlantic 75 · 45 RPM
Coltrane Plays The Blues
John Coltrane
With , ,
Have a listen “Blues To Elvin” – written by Elvin Jones – it opens the album.


Impulse
Crescent
John Coltrane
With , ,
Have a listen “Lonnie’s Lament” – a broad, singing theme for the whole group.

Atlantic 75 · 45 RPM
Giant Steps (45 RPM 180 Gram Vinyl)
John Coltrane
Have a listen “Naima” – written for Coltrane’s then-wife – the album’s essential counterweight.

Prestige
Lush Life (Mono Version)
John Coltrane
With , , ,
Have a listen “Lush Life” – the demanding title composition, in a quintet.

Atlantic 75 · 45 RPM
My Favorite Things
John Coltrane
Have a listen “Summertime” – a well-known melody given a darker, heavier contour on tenor saxophone.

Prestige · 45 RPM
Soultrane (Mono)
John Coltrane
With , ,
Have a listen “Russian Lullaby” – the album’s exhilarating test of velocity.

Prestige
Standard Coltrane (Stereo)
John Coltrane
With , , ,
Have a listen “Spring Is Here” – slows the pace and draws out Coltrane’s respect for melody.

PrestigeAAA
With The Red Garland Trio (Mono)
John Coltrane
Have a listen “Bass Blues” – gives Paul Chambers an unusually visible melodic role.

Impulse
John Coltrane & Johnny Hartman
John Coltrane and Johnny Hartman
Have a listen “Lush Life” – Johnny Hartman sustains the song’s long lines and worldly melancholy.

ImpulseAAA
The John Coltrane Quartet Plays
John Coltrane Quartet
With , , ,
Have a listen “Nature Boy” – with Art Davis as a second bassist alongside Jimmy Garrison.

Verve
Blues A-Plenty
Johnny Hodges
With , , ,
Have a listen “Reeling And Rocking” – the extended close of side two, with trumpet, trombone and tenor saxophone.





Prestige
Bluesey Burrell (Stereo)
Kenny Burrell
With , , ,
Have a listen “Tres Palabras” – opens side one – all six musicians play together here, with Coleman Hawkins on tenor saxophone.

Verve
Guitar Forms
Kenny Burrell
With , , ,
Have a listen “Lotus Land” – around nine and a half minutes of guitar with Gil Evans’ orchestra.



Prestige
Quiet Kenny (Stereo)
Kenny Dorham
With , ,
Have a listen “Lotus Blossom” – one of Dorham’s own compositions, opening with an elegant theme whose intervals invite development.

Contemporary RecordsAAA
Leroy Walks!
Leroy Vinnegar
Have a listen “Walk On” – begins with the bass before the ensemble enters, turning accompaniment into the subject of the piece.

Atlantic 75 · 45 RPM
Swiss Movement
Les McCann & Eddie Harris
With , ,
Have a listen “Compared to What” – McCann sings – a song written by Gene McDaniels.



Verve
Louis Armstrong Meets Oscar Peterson (Remastered)
Louis Armstrong and Oscar Peterson
Have a listen “That Old Feeling” – Armstrong sings the melody before the trumpet says it another way.


Prestige · 45 RPM
Bags Groove (Mono)
Miles Davis
With , , ,
Have a listen “Airegin” – one of the Sonny Rollins compositions – compact themes that open directly into improvisation.



Prestige
Cookin' With The Miles Davis Quintet (Mono)
Miles Davis
With , , ,
Have a listen “My Funny Valentine” – Davis with the Harmon mute, leaving generous space around the melody.

Analogue Productions · 45 RPM
Kind of Blue (45 RPM 200 Gram Clarity Vinyl)
Miles Davis
With , , ,
Have a listen “So What” – Evans and Chambers open quietly, then the bass states its famous figure and the ensemble answers.





Prestige
Steamin' With The Miles Davis Quintet (Mono Version)
Miles Davis
With , , ,
Have a listen “Salt Peanuts” – Philly Joe Jones’s accents and exchanges drive the performance.


Prestige
Relaxin' With The Miles Davis Quintet (mono)
Miles Davis Quintet
With , , ,
Have a listen “If I Were a Bell” – begins with Davis’s spoken cue.

Atlantic 75 · 45 RPM
Bags & Trane
Milt Jackson & John Coltrane
With , ,
Have a listen “Be-Bop” – occupies a whole side of this 45 RPM edition.

Verve
Getz Au Go Go
The New Stan Getz Quartet
With , , ,
Have a listen “Summertime” – gives the instrumental partnership considerable room.






Impulse
Blues And The Abstract Truth
Oliver Nelson
Have a listen “Stolen Moments” – a dark, patient horn line over a restrained pulse.

Prestige
Screamin' the Blues (Stereo)
Oliver Nelson
With , , ,
Have a listen “Alto-Itis” – a particularly vivid field for contrast between the two reed players.

Contemporary RecordsAAA
Something Else
Ornette Coleman
Have a listen “The Blessing” – Ornette Coleman’s lyrical side: a plaintive, almost vocal theme.

Contemporary RecordsAAA
Tomorrow Is The Question!
Ornette Coleman
With , , ,
Have a listen “Lorraine” – recorded first, on 16 January 1959, with Red Mitchell on bass – alto and trumpet with no piano between them.

Verve
Night Train
Oscar Peterson
Have a listen “Hymn to Freedom” – the closer: gospel-inflected harmony, one of Oscar Peterson’s defining compositions.

VerveAAA
We Get Requests
Oscar Peterson
Have a listen “You Look Good to Me” – begins with spacious textures before gathering swing and weight.

Verve
Affinity
The Oscar Peterson Trio
With ,
Have a listen “Waltz for Debby” – Bill Evans’ piece opens the record – which qualities belong to the composition, and which arise from this trio’s treatment?


Verve
Oscar Peterson Trio + One
Oscar Peterson Trio and Clark Terry
With ,
Have a listen “Mumbles” – shows Clark Terry in a different role, not only on trumpet.

Verve
Very Tall
Oscar Peterson Trio with Milt Jackson
Have a listen “Heartstrings” – Milt Jackson’s ballad; Oscar Peterson accompanies without crowding.


Impulse
Karma
Pharoah Sanders
Have a listen “The Creator Has a Master Plan” – fills most of the album: a serene motif first, then voices, percussion and horns broaden the field.

PrestigeAAA
The Young Bloods (Mono)
Phil Woods and Donald Byrd
With , ,
Have a listen “Dewey Square” – an actual Parker composition opens the programme – then come the pieces by Phil Woods, who wrote four of the six.

Prestige
Woodlore (Mono)
Phil Woods Quartet
With , ,
Have a listen “Strollin’ with Pam” – reveals Phil Woods as a writer with an instinct for concise, playable lines.

Contemporary RecordsAAA
A World Of Piano!
Phineas Newborn Jr.
Have a listen “Lush Life” – Phineas Newborn takes his time with Billy Strayhorn’s complex melody, letting its long phrases carry the drama.

Prestige
All Night Long (Mono)
The Prestige All Stars
With , , ,
Have a listen “All Night Long” – the title performance: a broad blues with Donald Byrd, Hank Mobley and Jerome Richardson up front.

PrestigeAAA
Tenor Conclave (Mono)
The Prestige All Stars
With , , ,
Have a listen “Bob’s Boys” – Hank Mobley’s blues begins side A – four tenor saxophones.


VerveAAA
The Cry!
Prince Lasha Quintet
With , , ,
Have a listen “Bojangles” – named after the dancer Bill Robinson; Gary Peacock plays here as the only bassist.



Impulse
Genius + Soul = Jazz
Ray Charles
Have a listen “From the Heart” – opens with Charles’s organ in clipped, blues-rooted phrases, answered by brass and reeds in short bursts.



PrestigeAAA
All Mornin' Long (Mono)
The Red Garland Quintet
With , , ,
Have a listen “Our Delight” – brings the quick contours of Tadd Dameron’s writing into focus.

Impulse
Out Of The Afternoon
Roy Haynes
Have a listen “Snap Crackle” – Roy Haynes’s own piece; his crisp drumming becomes part of the composition.


Pablo
Crazy and Mixed Up
Sarah Vaughan
With , , ,
Have a listen “Love Dance” – by Ivan Lins and Vitor Martins, performed here with English lyrics.

Pablo
How Long Has This Been Going On?
Sarah Vaughan
With , , ,
Have a listen “How Long Has This Been Going On?” – from the 1928 musical Rosalie, later a standard – and the name of this recording.



Pablo
Send In The Clowns
Sarah Vaughan
Have a listen “If You Could See Me Now” – by Tadd Dameron and Carl Sigman – reaching back to Vaughan’s early successes.

Pablo
A Celebration of Duke
Sarah Vaughan, Clark Terry, Zoot Sims, Quadrant
With , , ,
Have a listen “Caravan” – Clark Terry plays it with Jack Wilson, Joe Pass, Ray Brown and Frank Severino.

Contemporary RecordsAAA
At The Black Hawk Vol. 1
Shelly Manne & His Men
With , , ,
Have a listen “Summertime” – almost twelve minutes long, recorded on opening night, 22 September.

Contemporary RecordsAAA
My Fair Lady
Shelly Manne and Friends
Have a listen “On the Street Where You Live” – Leroy Vinnegar’s walking bass gives it both lift and direction.



Impulse
East Broadway Run Down
Sonny Rollins
With , ,
Have a listen “East Broadway Run Down” – the title track, written by Rollins; only here does Freddie Hubbard join in.

Impulse
On Impulse
Sonny Rollins
With , , ,
Have a listen “On Green Dolphin Street” – begins with a spacious introduction before the tenor bends the tune’s expected path.

Prestige
Rollins Plays For Bird (Mono)
Sonny Rollins
With , , ,
Have a listen “Bird Medley” – several songs associated with Parker linked into one continuous performance.

Prestige
Saxophone Colossus (Mono)
Sonny Rollins
With , ,
Have a listen “Blue 7” – the closing extended blues – it rewards attention to small motivic changes.

Contemporary RecordsAAA
Sonny Rollins And The Contemporary Leaders
Sonny Rollins
With , , ,
Have a listen “You” – the only piece on which Victor Feldman plays vibraphone.

PrestigeAAA
Tenor Madness (Mono)
Sonny Rollins
Have a listen “Tenor Madness” – the only officially released recording on which Rollins and Coltrane solo together.


Analogue Productions · 45 RPMAAA
Way Out West (45 RPM 200 Gram Double LP on Clarity Vinyl)
Sonny Rollins
With ,
Have a listen “I’m an Old Cowhand” – Shelly Manne introduces it with a hoofbeat figure.

Verve
Sweet Rain
Stan Getz
With , ,
Have a listen “Litha” – Chick Corea’s piece opens the album, and his “Windows” closes it.

Verve
Previously Unreleased Recordings
Stan Getz & Bill Evans
With , ,
Have a listen “Funkallero” – Bill Evans’ own piece, from the 6 May 1964 session with Ron Carter on bass.


Impulse
Getz and Gilberto
Stan Getz & Joao Gilberto
Have a listen “The Girl from Ipanema” – Astrud Gilberto’s unadorned vocal gives the English verse its character.


Verve
Jazz Samba
Stan Getz and Charlie Byrd
Have a listen “Desafinado” – Charlie Byrd’s guitar sets the pattern, then Stan Getz enters.

Contemporary RecordsAAA
Together Again!!!!
Teddy Edwards and Howard McGhee
With , ,
Have a listen “Together Again” – written by Teddy Edwards, the album’s opener.







Analogue ProductionsAAA
Thelonious Monk With John Coltrane
Thelonious Monk and John Coltrane
With , , ,


Prestige
Overseas (Mono)
Tommy Flanagan
With ,
Have a listen “Chelsea Bridge” – Billy Strayhorn’s piece: Flanagan lets the unusual harmony breathe.



Analogue Productions · 45 RPM
A Charlie Brown Christmas (45 RPM 200 Gram Double LP on Clarity Vinyl)
Vince Guaraldi Trio
With ,
Have a listen “Christmas Time Is Here” – initially carried the working title “Snow Waltz”.





Verve
Smokin' At The Half Note
Wynton Kelly Trio and Wes Montgomery
Have a listen “Unit 7” – a memorable Sam Jones line and a long arc of improvisation.

Pablo
Passion Flower (Zoot Sims Plays Duke Ellington)
Zoot Sims
Have a listen “It Don’t Mean a Thing” – on side one: Zoot Sims as featured soloist with Benny Carter’s orchestra.

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Frequently asked
Quick answers
How do I find all editions with one musician?
Type or tap the name in the jazz web above. You see every edition on which they are credited according to the line-up, and who is credited on the same records. “Show only these editions in the catalogue” filters the list below.
Where do the line-ups come from?
From the line-up lists in our product texts. Where an edition has no list yet, the artist in the album name counts – for “Bill Evans Trio” that is Bill Evans. Credited together means on the same edition, not necessarily in the same session.
What does “AAA” mean?
The label uses it for an all-analogue chain from recording to lacquer cut. We show it only where the label states it.
Which jazz series does Michael 45 carry?
Prestige, Verve, Pablo, Contemporary, Impulse!, Atlantic 75, UHQR, Philips · Nina Simone and Acoustic Sounds 40 – each with its own page.
Line-ups from Michael 45’s product texts (as of 18 Sept 2026). Portraits are illustrations, not photographs. Price and availability live from the shop.