Acoustic Sounds Series
Showing 17–32 of 37 results
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Sonny RollinsWay Out West
Contemporary Records (Acoustic Sounds Series) · 33⅓ RPM · 180g
39,00 € incl. VATA trio after hours In March 1957, Sonny Rollins, Ray Brown and Shelly Manne came together in Los Angeles for an unusually late recording session. Work began around three in…
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Mel TormeTorme
Verve (Acoustic Sounds Series) · 33⅓ RPM · 180g
46,00 € incl. VATA new chapter at Verve Tormé was recorded at Radio Recorders in Los Angeles in June 1958 and released in February 1959. It was Mel Tormé’s first album for Verve.…
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Blind Gary DavisHarlem Street Singer
Bluesville (Acoustic Sounds Series) · 33⅓ RPM · 180g
39,00 € incl. VATView detailsHarlem in the title, New Jersey on the session sheet One musician, one guitar and twelve songs: the personnel of Harlem Street Singer can be described in a single sentence.…
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Jimmy ReedI'm Jimmy Reed
Bluesville (Acoustic Sounds Series) · 33⅓ RPM · 180g
39,00 € incl. VATA debut album with five years behind it I'm Jimmy Reed arrived in 1958, but its recording history begins much earlier. The twelve selections bring together single sides made between…
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Ben WebsterBen Webster Meets Oscar Peterson
Verve (Acoustic Sounds Series) · 33⅓ RPM · 180g
44,00 € incl. VATView detailsA meeting with a history behind it The title Ben Webster Meets Oscar Peterson suggests an introduction. In reality, the two musicians had already worked together extensively. Peterson had accompanied…
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Chet BakerBaker's Holiday
Verve (Acoustic Sounds Series) · 33⅓ RPM · 180g
44,00 € incl. VATBillie Holiday's repertoire through Chet Baker Baker's Holiday begins with a clear idea: Chet Baker devotes an album to songs associated with Billie Holiday. Recorded in New York in 1965,…
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Albert KingLive Wire/Blues Power
Bluesville (Acoustic Sounds Series) · 33⅓ RPM · 180g
39,00 € incl. VATSan Francisco meets the blues In June 1968, Albert King steps onto the stage of San Francisco’s Fillmore Auditorium. This audience knows electric guitars and extended solos; King brings a…
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Duke Ellington and Johnny HodgesBack to Back
Verve (Acoustic Sounds Series) · 33⅓ RPM · 180g
44,00 € incl. VATEllington and Hodges in close company Duke Ellington at the piano and Johnny Hodges on alto saxophone: the names alone suggest a long shared history. On Back To Back, they…
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Sarah VaughanSarah Vaughan (Mono)
EmArcy (Acoustic Sounds Series) · 33⅓ RPM · 180g
44,00 € incl. VATA voice among musicians New York, December 1954: Sarah Vaughan records an album at Fine Sound that EmArcy releases under her own name in 1955. It is frequently identified with…
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Sarah VaughanSassy (Mono)
EmArcy (Acoustic Sounds Series) · 33⅓ RPM · 180g
44,00 € incl. VATSarah Vaughan and the art of a ballad Sassy is one of Sarah Vaughan’s familiar nicknames. As an album title it promises personality, and this 1956 recording shows how much…
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Count BasieBasie Jam
Analogue Productions (Pablo) · 33⅓ RPM · 180g
52,00 € incl. VATEight musicians and the blues Los Angeles, December 10, 1973. Count Basie brings seven fellow musicians together for the session later released by Pablo as Basie Jam. Five pieces, all…
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Diana KrallThe Look Of Love
Verve (Acoustic Sounds Series) · 2 LP · 33⅓ RPM · 180g
62,00 € incl. VATDiana Krall opens the room On The Look of Love, Diana Krall expands her jazz ensemble with two orchestras in 2001. Her voice and piano remain the starting point, with…
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Skip JamesToday!
Bluesville (Acoustic Sounds Series) · 33⅓ RPM · 180g
39,00 € incl. VATView detailsA voice returns When Skip James records Today! in New York in January 1966, his first records are already 35 years old. He sang and played for Paramount in Grafton,…
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Nina SimoneWild Is The Wind
Philips (Acoustic Sounds Series) · 33⅓ RPM · 180g
44,00 € incl. VATView detailsOne voice connecting different recording moments Wild Is The Wind belongs to Nina Simone’s Philips period and was released in 1966. Its origins differ from the familiar picture of a…
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Cannonball Adderley QuintetIn Chicago
Mercury (Acoustic Sounds Series) · 33⅓ RPM · 180g
44,00 € incl. VATView detailsTwo saxophones and a shared musical language In Chicago brings Cannonball Adderley and John Coltrane together in a particularly clear setting: two saxophones, piano, double bass and drums. Recorded at…
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Stan Getz & Joao GilbertoGetz and Gilberto
Impulse (Acoustic Sounds Series) · 33⅓ RPM · 180g
44,00 € incl. VATView detailsGetz/Gilberto is built on quiet assurance. João Gilberto’s guitar establishes the rhythmic grammar with the lightest possible touch, Antônio Carlos Jobim’s piano colours the harmony, and Stan Getz lets the…
