Little Feat – Dixie Chicken

82,00 € incl. VAT

Mastering Engineer
The Mastering Lab
Speed
45 RPM
2 LPs
Source
Original master tapes
Weight
180 Gram
Pressing
Quality Record Pressings
Genre
Pop/Rock

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LabelAnalogue Productions (Acoustic Sounds 40)
Catalogue numberAAPR 016-45
GenrePop/Rock
Number of Discs2
Release dateUS street date 3rd of april 2026

What the cleaning does

On request we clean your record in our Klaudio ultrasonic machine before it ships and check it by eye. In my experience this pays off with new records too: pressing can leave residues, and a clean groove is kinder to your cartridge.

This means opening the shrink wrap – your record arrives cleaned in your parcel. From €5 per record, depending on the album.

I am aware and agree, that the Record will be put out of the original shrink wrap (this will be included to the delivery).

A groove with more moving parts

On “Dixie Chicken,” the movement does not come from the drums alone. Piano supplies its own accents, guitars slip between them, and bass and percussion give the whole pattern extra flexibility. Lowell George’s voice can lean back above that activity without draining its tension. The contrast between an easy surface and closely coordinated playing is part of Little Feat’s appeal: the groove feels natural while several different things are happening inside it.

Released in 1973, the band’s third studio album marks a decisive personnel change. Guitarist Paul Barrère and percussionist Sam Clayton joined George, keyboard player Bill Payne and drummer Richie Hayward; Kenny Gradney replaced Roy Estrada on bass. The quartet became a sextet. Those additional voices offered more than increased volume. They created new ways to distribute rhythmic responsibilities and to keep one figure moving while another changed direction.

Lowell George – Dixie Chicken
Lowell George

Lowell George takes the production chair

Ted Templeman had produced the preceding Sailin’ Shoes, but George himself produced Dixie Chicken. Recording took place in Los Angeles in late 1972, at studios including Clover Recorders, Warner Bros. and Sunset Sound. The band was therefore developing through changes both in personnel and in the creative responsibility behind the studio work.

That is useful context for music with such a physical impact. What sounds spontaneous is not necessarily a document of everyone simply starting to play together. Arrangements determine when slide guitar carries a passage, when piano occupies a rhythmic opening and how percussion animates the space around them. The influence of New Orleans R&B becomes part of the group’s own language, where blues, rock and funk can overlap without needing to remain separate categories.

Little Feat, 1973 – Dixie Chicken
Little Feat, 1973

Toussaint and Tackett broaden the programme

George did not write every song. Allen Toussaint supplied “On Your Way Down,” creating a direct connection to a central figure in New Orleans music. Fred Tackett contributed “Fool Yourself,” while “Walkin’ All Night” was written by Barrère and Payne. George and Fred Martin share the writing credit for the title track. The range of contributors already suggests a more varied album than a single defining riff or style might imply.

The guest list brings further colours. Bonnie Raitt, Bonnie Bramlett and Danny Hutton are among the contributing voices; Malcolm Cecil is credited with synthesizer and Milt Holland with tabla. These names should not be assigned indiscriminately to every track. Instead, they indicate the breadth of resources available to the sessions, and the possibilities concealed beneath the apparently straightforward description of a six-piece rock band.

The quieter passages are part of the point

Among the title track, “Two Trains” and “Fat Man in the Bathtub,” it is worth making room for “Roll Um Easy.” Its restrained presentation changes the perspective before the band closes in again. “Juliette” and the concluding instrumental “Lafayette Railroad,” written by George and Payne, broaden the shape further. Dixie Chicken does not depend on maintaining one level of energy. Its character comes partly from knowing when to gather that energy and when to release it.

This double LP distributes the ten original tracks across four 45-RPM sides. “On Your Way Down” and “Kiss It Off” share a side, while “Juliette” and “Lafayette Railroad” finish the second record. The bonus material from later deluxe editions is not included. For a fresh listen, try a simple change of focus: follow George’s voice once, then Gradney’s bass or Clayton’s percussion on another pass. Different routes emerge through the same songs. Familiar favourites regain their capacity to surprise, not because the music has changed, but because another part of its carefully interlocking movement has come into view.

More from the series: Acoustic Sounds 40th Anniversary Series

Also on SACD: Dixie Chicken

More by Little Feat: Sailin’ Shoes

Customer question: Buying Analogue Productions records in Europe

Musicians

Documented selection of participating musicians. Personnel may vary by track; this list does not claim to be complete.

Name Instrument / role
Lowell George Vocals, Guitar, Flute
Paul Barrere Backing vocals, Lead vocals, Guitar
Bill Payne Backing vocals, Lead vocals, Synthesizer, Keyboards
Kenny Gradney Bass
Richie Hayward Backing vocals, Drums
Sam Clayton Congas

Additional information

Weight 0,7 kg

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Musicians

Documented selection of participating musicians. Personnel may vary by track; this list does not claim to be complete.

NameInstrument / role
Lowell GeorgeVocals, Guitar, Flute
Paul BarrereBacking vocals, Lead vocals, Guitar
Bill PayneBacking vocals, Lead vocals, Synthesizer, Keyboards
Kenny GradneyBass
Richie HaywardBacking vocals, Drums
Sam ClaytonCongas

LP 1 Side A
1. Dixie Chicken
2. Two Trains
3. Roll Um Easy
LP 1 Side B
1. On Your Way Down
2. Kiss It Off
LP 2 Side A
1. Fool Yourself
2. Walkin’ All Night
3. Fat Man In The Bathtub
LP 2 Side B
1. Juliette
2. Lafayette Railroad