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Count Basie & Dizzy GillespieThe Gifted Ones
Analogue Productions (Pablo) · 33⅓ RPM · 180g
52,00 € incl. VATA quartet meeting in Las Vegas Count Basie and Dizzy Gillespie met in a Las Vegas studio on February 3, 1977, with Ray Brown on double bass and Mickey Roker…
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Count Basie & Oscar PetersonThe Timekeepers
Analogue Productions (Pablo) · 33⅓ RPM · 180g
52,00 € incl. VATTwo pianos over two days Count Basie and Oscar Peterson recorded The Timekeepers at Group IV Studios in Hollywood on February 21 and 22, 1978. John Heard played double bass…
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Louis ArmstrongSatchmo Plays King Oliver - 200g LP
Analogue Productions · 33⅓ RPM · 180g
55,00 € incl. VATView detailsArmstrong looks back to his mentor With Satchmo Plays King Oliver, Louis Armstrong returned to the musical world of a figure who had helped shape his career. Joe “King” Oliver…
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Louis Armstrong / Satchmo Plays King Oliver 180g
Analogue Productions · 45 RPM · 180g
52,00 € incl. VATTwo selections, one record This version of Satchmo Plays King Oliver contains two performances: “St. James Infirmary” and “I Ain’t Got Nobody”. The 12-inch record runs at 45 RPM, with…
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Howard McGheeMaggie's Back In Town!
Verve (Acoustic Sounds Series) · 33⅓ RPM · 180g
39,00 € incl. VATThe return of “Maggie” “Maggie” was Howard McGhee’s nickname, giving Maggie’s Back In Town!! a personal meaning that Nat Hentoff emphasised in the original liner notes. By 1961 the trumpeter…
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Prince Lasha QuintetThe Cry!
Verve (Acoustic Sounds Series) · 33⅓ RPM · 180g
39,00 € incl. VATFlute, alto saxophone and two basses The Cry! was recorded at Contemporary in Los Angeles on November 21, 1962. Prince Lasha plays flute, Sonny Simmons alto saxophone, Gary Peacock and…
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Albert KingLive Wire/Blues Power
Bluesville (Acoustic Sounds Series) · 33⅓ RPM · 180g
39,00 € incl. VATSan Francisco meets the blues In June 1968, Albert King steps onto the stage of San Francisco’s Fillmore Auditorium. This audience knows electric guitars and extended solos; King brings a…
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Duke Ellington and Johnny HodgesBack to Back
Verve (Acoustic Sounds Series) · 33⅓ RPM · 180g
44,00 € incl. VATEllington and Hodges in close company Duke Ellington at the piano and Johnny Hodges on alto saxophone: the names alone suggest a long shared history. On Back To Back, they…
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Sarah VaughanSarah Vaughan (Mono)
EmArcy (Acoustic Sounds Series) · 33⅓ RPM · 180g
44,00 € incl. VATA voice among musicians New York, December 1954: Sarah Vaughan records an album at Fine Sound that EmArcy releases under her own name in 1955. It is frequently identified with…
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Sarah VaughanSassy (Mono)
EmArcy (Acoustic Sounds Series) · 33⅓ RPM · 180g
44,00 € incl. VATSarah Vaughan and the art of a ballad Sassy is one of Sarah Vaughan’s familiar nicknames. As an album title it promises personality, and this 1956 recording shows how much…
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Lightnin' Hopkins with Sonny TerryLast Night Blues
Bluesville (Acoustic Sounds Series) · 33⅓ RPM · 180g
39,00 € incl. VATView detailsTexas blues in Englewood Cliffs On October 26, 1960, Lightnin’ Hopkins and Sonny Terry meet at the Van Gelder Studio in Englewood Cliffs. Hopkins brings guitar and vocals, Terry his…
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The DoorsL.A. Woman UHQR
Analogue Productions · 33⅓ RPM
164,00 € incl. VATView detailsLos Angeles at the end of a shared journey Released in 1971, L.A. Woman became the Doors’ final studio album with Jim Morrison. Most of the recording took place in…
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Ella Fitzgerald & Joe PassFitzgerald & Pass... Again
Analogue Productions (Pablo) · 33⅓ RPM · 180g
52,00 € incl. VATTwo people, fourteen songs Ella Fitzgerald and Joe Pass met at RCA Studios in Los Angeles in the winter of 1976. Sessions on January 29 and 30 and February 8…
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Sarah VaughanHow Long Has This Been Going On?
Analogue Productions (Pablo) · 33⅓ RPM · 180g
52,00 € incl. VATOne day in Hollywood On April 25, 1978, Sarah Vaughan arrived at Group IV Recording Studios in Hollywood. Oscar Peterson played piano, Joe Pass guitar, Ray Brown double bass and…
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John Lee HookerBurning Hell
Bluesville (Acoustic Sounds Series) · 33⅓ RPM · 180g
39,00 € incl. VATOne voice, six strings Detroit, April 1959. John Lee Hooker records for Riverside with only his acoustic guitar. On Burning Hell, there is no ensemble to carry the pulse forward…
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Gerry Mulligan & Ben WebsterGerry Mulligan Meets Ben Webster
Verve (Acoustic Sounds Series) · 33⅓ RPM · 180g
44,00 € incl. VATTwo saxophones in conversation Los Angeles, November and December 1959: Gerry Mulligan and Ben Webster meet for two quintet sessions. Gerry Mulligan Meets Ben Webster places baritone and tenor saxophone…
