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Wilson PickettThe Exciting Wilson Pickett
Analogue Productions (Atlantic 75 Series) · 2 LP · 45 RPM · 180g
77,00 € incl. VATTwo studios within one album The Exciting Wilson Pickett brings together two of the defining locations of 1960s soul. Six recordings come from Stax in Memphis in 1965, and six…
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Charles MingusPithecanthropus Erectus (Mono)
Analogue Productions (Atlantic 75 Series) · 2 LP · 45 RPM · 180g
77,00 € incl. VATMusic taught through listening Charles Mingus explained his Jazz Workshop method as a process of communicating ideas by ear. He would play the framework at the piano and give his…
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Dr. JohnGris Gris
Analogue Productions (Atlantic 75 Series) · 2 LP · 45 RPM · 180g
77,00 € incl. VATNew Orleans remembered in Los Angeles Gris-Gris was recorded in Los Angeles, but much of its musical memory belongs to New Orleans. Mac Rebennack had worked there as a guitarist,…
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Count Basie & Dizzy GillespieThe Gifted Ones
Analogue Productions (Pablo) · 33⅓ RPM · 180g
52,00 € incl. VATA quartet meeting in Las Vegas Count Basie and Dizzy Gillespie met in a Las Vegas studio on February 3, 1977, with Ray Brown on double bass and Mickey Roker…
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Count Basie & Oscar PetersonThe Timekeepers
Analogue Productions (Pablo) · 33⅓ RPM · 180g
52,00 € incl. VATTwo pianos over two days Count Basie and Oscar Peterson recorded The Timekeepers at Group IV Studios in Hollywood on February 21 and 22, 1978. John Heard played double bass…
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Louis ArmstrongSatchmo Plays King Oliver - 200g LP
Analogue Productions · 33⅓ RPM · 180g
55,00 € incl. VATView detailsArmstrong looks back to his mentor With Satchmo Plays King Oliver, Louis Armstrong returned to the musical world of a figure who had helped shape his career. Joe “King” Oliver…
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Louis Armstrong / Satchmo Plays King Oliver 180g
Analogue Productions · 45 RPM · 180g
52,00 € incl. VATTwo selections, one record This version of Satchmo Plays King Oliver contains two performances: “St. James Infirmary” and “I Ain’t Got Nobody”. The 12-inch record runs at 45 RPM, with…
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Howard McGheeMaggie's Back In Town!
Verve (Acoustic Sounds Series) · 33⅓ RPM · 180g
39,00 € incl. VATThe return of “Maggie” “Maggie” was Howard McGhee’s nickname, giving Maggie’s Back In Town!! a personal meaning that Nat Hentoff emphasised in the original liner notes. By 1961 the trumpeter…
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Prince Lasha QuintetThe Cry!
Verve (Acoustic Sounds Series) · 33⅓ RPM · 180g
39,00 € incl. VATFlute, alto saxophone and two basses The Cry! was recorded at Contemporary in Los Angeles on November 21, 1962. Prince Lasha plays flute, Sonny Simmons alto saxophone, Gary Peacock and…
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Diana KrallAll For You
Verve (Acoustic Sounds Series) · 2 LP · 33⅓ RPM · 180g
62,00 € incl. VATA dedication rooted in the art of playing together Diana Krall dedicates All for You to the Nat King Cole Trio. The subtitle identifies a particular musical world: Cole as…
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Albert KingLive Wire/Blues Power
Bluesville (Acoustic Sounds Series) · 33⅓ RPM · 180g
39,00 € incl. VATSan Francisco meets the blues In June 1968, Albert King steps onto the stage of San Francisco’s Fillmore Auditorium. This audience knows electric guitars and extended solos; King brings a…
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Duke Ellington and Johnny HodgesBack to Back
Verve (Acoustic Sounds Series) · 33⅓ RPM · 180g
44,00 € incl. VATEllington and Hodges in close company Duke Ellington at the piano and Johnny Hodges on alto saxophone: the names alone suggest a long shared history. On Back To Back, they…
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Sarah VaughanSarah Vaughan (Mono)
EmArcy (Acoustic Sounds Series) · 33⅓ RPM · 180g
44,00 € incl. VATA voice among musicians New York, December 1954: Sarah Vaughan records an album at Fine Sound that EmArcy releases under her own name in 1955. It is frequently identified with…
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Sarah VaughanSassy (Mono)
EmArcy (Acoustic Sounds Series) · 33⅓ RPM · 180g
44,00 € incl. VATSarah Vaughan and the art of a ballad Sassy is one of Sarah Vaughan’s familiar nicknames. As an album title it promises personality, and this 1956 recording shows how much…
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Lightnin' Hopkins with Sonny TerryLast Night Blues
Bluesville (Acoustic Sounds Series) · 33⅓ RPM · 180g
39,00 € incl. VATView detailsTexas blues in Englewood Cliffs On October 26, 1960, Lightnin’ Hopkins and Sonny Terry meet at the Van Gelder Studio in Englewood Cliffs. Hopkins brings guitar and vocals, Terry his…
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The DoorsL.A. Woman UHQR
Analogue Productions · 33⅓ RPM
164,00 € incl. VATView detailsLos Angeles at the end of a shared journey Released in 1971, L.A. Woman became the Doors’ final studio album with Jim Morrison. Most of the recording took place in…
