Bob Marley – Catch A Fire (45 RPM 200 Gram Double LP on Clarity Vinyl)

198,00 € incl. VAT

Mastering Engineer
Abbey Road Studios
Speed
45 RPM
2 LPs
Source
Original master tapes
Weight
200 Gram
Pressing
Quality Record Pressings
Genre
Reggae

Pre-order

LabelAnalogue Productions
Catalogue numberAUHQR 0024-45
GenreReggae
Number of Discs2
Release dateTo be announced
IMPORTANT NOTICE - This product is a pre-order item with no official release date. Please order it separately from other items.

What the cleaning does

On request we clean your record in our Klaudio ultrasonic machine before it ships and check it by eye. In my experience this pays off with new records too: pressing can leave residues, and a clean groove is kinder to your cartridge.

This means opening the shrink wrap – your record arrives cleaned in your parcel. From €5 per record, depending on the album.

I am aware and agree, that the Record will be put out of the original shrink wrap (this will be included to the delivery).

SKU: AUHQR 0024-45 Categories: , , ,

Jamaican tapes meet London studio musicians

The story of Catch a Fire, released in 1973, includes a journey made by the recordings themselves. The Wailers laid down their foundations in Kingston on eight-track tape, often combining several instruments on an individual track. In London, those recordings received additional parts and a new mix. The resulting album allowed Island to introduce the group to a wider international audience. Its identity grew from the relationship between specific musical work in both places.

Bob Marley, Peter Tosh and Bunny Wailer still occupied the centre together. Aston “Family Man” Barrett and Carlton Barrett were fundamental to the instrumental ensemble. The London additions brought further lines into that existing performance. Listening with this process in mind makes the album an example of how a recorded band arrangement can acquire another published form through subsequent collaboration. The history lies inside the relationships between instruments as well as in the release date.

Wayne Perkins · 1973 – colour illustration for Catch a Fire
Wayne Perkins · 1973

A guitar arriving by another route

Wayne Perkins came from the American studio world of Muscle Shoals. His contributions to Catch a Fire include the solo on “Concrete Jungle”, slide guitar on “Baby We've Got a Date” and wah-wah lead guitar on “Stir It Up”. His involvement gives a concrete shape to the international studio connections behind the album. The familiar songs contain contributions from musicians beyond the names most closely associated with the Wailers themselves.

Tony Platt handled the additional recording. John “Rabbit” Bundrick also supplied keyboard parts, including organ, clavinet and synthesizer. In the Island version, these voices can be followed as components of the arrangement: a line may support the singer in one passage and develop an independent melodic role in another. Understanding how those parts arrived gives the listener useful questions to explore. It does not, by itself, establish how any particular later pressing will reproduce them.

John „Rabbit“ Bundrick · 1973 – colour illustration for Catch a Fire
John „Rabbit“ Bundrick · 1973

Peter Tosh belongs at the centre of the record

The nine songs bring several perspectives together. “400 Years” and “Stop That Train” were written by Peter Tosh; the remaining seven carry Marley's credit. That distribution is a reminder that Catch a Fire is a Wailers album. The sequence moves from “Concrete Jungle” through “Slave Driver” into Tosh's two contributions, then later opens another section with “Stir It Up”. “No More Trouble” and “Midnight Ravers” complete the programme.

The Jamaican versions released later tell a complementary story. The 2001 deluxe edition placed an eleven-track programme alongside the published Island album, including “High Tide or Low Tide” and “All Day All Night”. Its different treatment makes the distinction significant for collectors. An album title, its initial band recordings and its familiar release version do not automatically describe an identical programme. The track list deserves the same attention as the physical format when choosing between editions.

This edition: four sides at 45 RPM

AUHQR 0024-45 is announced as a UHQR double LP on 200-gram Clarity Vinyl at 45 RPM. Analogue Productions specifies Quality Record Pressings, a 4,500-copy edition and mastering by Frank Arkwright and Ryan K. Smith at Abbey Road from the original master tape. As of 10 September 2026, it remains a preorder without a stated arrival date.

The nine announced tracks follow the Island sequence. This points towards the familiar released version, although the publisher does not explicitly confirm the mix. A Zippo-style jacket and particular cutting initials are not established for this edition either. Its practical distinction is the proposed four-side presentation. Any listening comparison with the separate 33⅓ RPM UHQR needs to be based on actual copies of both releases.

You order from Michael 45 in Germany. We arrange the US import and dispatch from Hilden. Editions not currently in stock are dispatched after the goods arrive.

Also on SACD: Catch A Fire

Also on 33 RPM vinyl: Catch A Fire

Artist page: All titles by Bob Marley & The Wailers

Customer question: Collecting UHQR records: limited editions of great albums

Musicians

Documented selection of participating musicians. Personnel may vary by track; this list does not claim to be complete.

Name Instrument / role
Bob Marley Vocals, Guitar
Peter Tosh Vocals, Guitar, Piano, Organ
Bunny Wailer Vocals, Congas, Bongos
Aston "Family Man" Barrett Electric bass
Rita Marley Backing vocals
Marcia Griffiths Backing vocals
Robbie Shakespeare Electric bass
Tommy McCook Flute
Winston Wright Organ

🎧 Review video: Inside Abbey Road: Re-Mastering Bob Marley with Chad Kassem & Michael Ludwigs

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Additional information

Weight 2,8 kg

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Musicians

Documented selection of participating musicians. Personnel may vary by track; this list does not claim to be complete.

NameInstrument / role
Bob MarleyVocals, Guitar
Peter ToshVocals, Guitar, Piano, Organ
Bunny WailerVocals, Congas, Bongos
Aston "Family Man" BarrettElectric bass
Rita MarleyBacking vocals
Marcia GriffithsBacking vocals
Robbie ShakespeareElectric bass
Tommy McCookFlute
Winston WrightOrgan

Side 1
1. Concrete Jungle
2. Slave Driver
Side 2
1. 400 Years
2. Stop That Train
3. Baby We’ve Got A Date (Rock It Baby)
Side 3
1. Stir It Up
2. Kinky Reggae
Side 4
1. No More Trouble
2. Midnight Ravers